Where charity and love are, God is there. In those cases, I’d usually recommend ending with Ubi Caritas II. With a sound at once modern and medieval, this.
From an early age he was exposed to a range of different genres of. While Ubi Caritas II functions as an independent work, it’s also intended to be used in combination with the other piece, for example as prelude/postlude ‘bookends’, perhaps yielding a sense of unity and conclusion to the concert or recording. Ola Gjeilo was born in, in Sandvika, Norway. Re-imagining some of the same material, such as the main theme from the first piece, Ubi Caritas II is in one sense a more sunny version of its prequel.
Ubi Caritas II is a closely related sequel to my Ubi Caritas published in 2007.
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